Sina Seifee, sculpture, 2003
Sina Seifee, painting, 2002     sculpture, zinc plates, 2003, 21-5-6cm
painting, oil on cardboard, 2002, 30-50cm
Sina Seifee, drawing, 2004 drawing on paper, 2004

   

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Sina Seifee
 
 

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sina[dot]seifee[at]gmail[dot]com                 

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Panjshanbeh Art Group®/ a group of artists with different interests and tastes gathered together to create artwork. All the members in a certain point of time have studied at Charsoo® institute or have some kind of cooperation with it. During the last five years group has created hundreds of ideas of any kind, mostly in the field of new arts. Members have worked cooperatively or individually in the means of gradual growth and development of the group. The nature of the group work has been yet controversial, though the activities have been unfocused. But it has witnessed its own growth and progress gravely in innovative thinking, conceptual impression and aesthetic speculations. Yet the group has experienced critical self existential conflicts which it itself consciously has created.   
Panjshanbeh Group members: Mahsa Khazeni, Maryam Farshad, Elmira Mirmiran, Foad Farahani, Nasser Teymourpour, Sina Seifee, Sahand Hesamian and Saeed Ravanbakhsh.

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/my actual studies started at Charsoo-Honar® Institute of Art and Culture with Saeed Ravanbakhsh around year 2000. I attended drawing classes first and gradually became deeply involved with visual arts in all kinds. Few years later we were the second generation of Charsoo-Honar Painting Group.  
From where we all started together, a small group stayed together, and had different experiences in painting, drawing, sculpture and animation. Afterwards we started a long term research in new arts by experimenting unusual spatial practises just with drawing, which became a permanent habit later and the essence of Panjshanbeh Group.  
Alongside I was attending Theatrical Creativity and Acting classes in Charsoo. The class was directed by Reza Ravanbakhsh. It was where he founded the Kalagh Theatre Group®. There, we practised theatrical creativity, physical acting, dramatic speech, writing and etc.. The experimental nature of our trainings were evolved drastically distinctive due to our unique individuality's, and as a result the impact was somehow not directly theatrical and more not expressional; but nevertheless seriously changed us for the rest of our lives.
It all found its way along with other things in to my work and my life. My interest in assembling things in childhood, to my paintings; and still feeds my aesthetic taste which doesn't change whether I draw, sculpt, act, make music or film.

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© 2012 Sina Seifee